Fernanda Torres on the Profound Impact of 'I'm Still Here' and Her Italian Heritage at Taormina Film Festival
Entertainment

Fernanda Torres on the Profound Impact of 'I'm Still Here' and Her Italian Heritage at Taormina Film Festival

authorBy Roger Ebert
DateJun 11, 2026
Read Time3 min

Brazilian actress Fernanda Torres, celebrated for her compelling performances, recently received a prestigious award at the Taormina Film Festival. During her visit to Sicily, Torres reflected on her deep Italian heritage and the profound impact of her film 'I'm Still Here'. She shared an emotional moment watching Jennifer Lopez discuss how the film resonated with her during a personal period of divorce, underscoring the movie's universal themes of family and human connection. Torres also provided insights into her future cinematic endeavors, emphasizing her commitment to projects that carry significant cultural and emotional weight.

Fernanda Torres' Emotional Journey and Cinematic Reflections in Taormina

On June 11, 2026, amid the picturesque backdrop of Italy’s Taormina, acclaimed Brazilian actress Fernanda Torres was honored with the Achievement Award at the Taormina Film Festival. For Torres, whose family lineage traces back to Italy, this recognition was a deeply personal milestone, fulfilling a long-held dream of visiting Sicily, a place her iconic mother, Fernanda Montenegro, also received an award in 1978. Torres expressed profound emotion, noting the symbolic significance of receiving an homage in the land of her ancestors, connecting her personal journey with a broader narrative of immigration.

Nearly two years after its premiere, Walter Salles’ Oscar-winning drama, 'I'm Still Here,' continues to garner accolades and resonate deeply with audiences. Torres, who portrayed Eunice Paiva, a woman of Italian descent, in the film, attributes much of her current recognition to this powerful role. She emphasized the film's timely relevance, stating, "At a time when immigration is such a present issue in the world, both Eunice and I represent this immigration movement that has so deeply changed Brazil." Torres views the ongoing impact as a rare industry phenomenon, highlighting the film's role in uniting a divided Brazil through its focus on human rights and justice, calling it a truly special cinematic achievement.

A particularly moving moment occurred when Torres was shown a clip of Jennifer Lopez discussing 'I'm Still Here' on Brett Goldstein's podcast, 'Films to Be Buried With.' Lopez recounted watching the film with her family amidst her divorce from Ben Affleck, describing it as a healing experience that shifted her perspective. Witnessing Lopez's tearful testimony, Torres was visibly moved, taking a deep breath before acknowledging its profound impact. "This reaction speaks so deeply to Walter’s work," Torres remarked, emphasizing the film’s portrayal of an "archaic story about a mother, left alone with five children to raise." She elaborated that the film, despite its political undertones, transcends ideology to explore the fundamental human experience of family and memory, a characteristic sensitivity of Salles' artistry.

Looking ahead, Torres is set to embark on two new projects: 'Os Corretores' (The Brokers), a film she also penned, directed by Andrucha Waddington, and 'Cuddle' by Bárbara Paz, where she will co-star with the esteemed Willem Dafoe. Torres revealed that it took her a full year to recover from the intense promotional tour for 'I'm Still Here,' before diving into these new ventures. She expressed immense enthusiasm for Paz's film, particularly impressed by Paz's documentary 'Babenco: Tell Me When I Die.' The prospect of working with Dafoe, who resides in Italy, brings Torres a sense of completion, marking a joyful new chapter in her distinguished career.

This narrative powerfully illustrates the enduring influence of art to bridge cultural divides and touch individual lives on a deeply personal level. Fernanda Torres's experience, from her ancestral ties to Italy to her artistic endeavors, showcases how cinema can not only reflect societal issues but also foster understanding and provide profound emotional solace. The shared human experience, as explored in 'I'm Still Here,' transcends geographical and personal boundaries, reminding us of the universal need for connection and belonging. This event at Taormina highlights the global dialogue that film can initiate, echoing sentiments of unity and shared humanity in an increasingly complex world.

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