Domhnall Gleeson's Role in 'The Paper' Resonates with Journalists Amid Industry Shifts
Entertainment

Domhnall Gleeson's Role in 'The Paper' Resonates with Journalists Amid Industry Shifts

authorBy Stephen King
DateJun 09, 2026
Read Time3 min

Domhnall Gleeson, star of “The Paper,” has discovered a unique connection with journalists through his role in the series. Reporters frequently express their appreciation for the show’s authentic depiction of their profession, especially as the industry faces numerous challenges. Gleeson notes that this resonance has been a gratifying aspect of the project. However, he also acknowledges a certain sadness associated with this feedback, as many journalists lament the diminishing resources and physical spaces within news organizations, a reality subtly reflected in the show’s narrative.

Gleeson also shared details about the forthcoming second season of “The Paper,” which has completed filming. He teased developments in the relationship between his character, Ned, and Chelsea Frei’s Mare. Additionally, he reflected on his initial appearances in Variety and his experiences performing in the play “The Lieutenant of Inishmore” early in his career, an experience that earned him a Tony nomination and led to some memorable fashion choices.

The Journalist's Champion: Gleeson's Impact

Domhnall Gleeson's portrayal in "The Paper" has surprisingly made him a voice for journalists, who feel understood and represented by the show. This connection stems from the series' honest depiction of the contemporary journalistic landscape, which deeply resonates with those in the field. Gleeson highlighted that conversations with reporters often reveal a dual sentiment: appreciation for the show's accuracy and a melancholic recognition of the industry's struggles. Many have pointed out how real-world newsrooms are shrinking, a detail mirrored in the show's narrative where a newspaper office shares its space with an unconventional tenant, symbolizing the precarious state of print media.

The actor's engagement with journalists has revealed a shared understanding of the challenges facing the profession. While the show brings a sense of validation, it also underscores the economic pressures and changing dynamics within news organizations. This feedback loop between the series and its professional audience creates a powerful commentary on the evolving role of journalism in society, with Gleeson serving as an unexpected, yet welcomed, advocate for the craft. His role has fostered a dialogue about the importance of reporting and the dedication required to maintain its integrity amidst modern adversities.

Behind the Scenes of "The Paper" Season 2 and Gleeson's Early Career

With the second season of "The Paper" recently wrapping production, Domhnall Gleeson offered insights into what viewers can anticipate. He specifically addressed the evolving dynamic between his character, Ned Sampson, the editor-in-chief of "Toledo Truth Teller," and reporter Mare Pritti. Gleeson explained that their relationship, which developed subtly in Season 1, culminated in a significant moment in the finale, setting the stage for intriguing developments in the upcoming season. He noted that the show's pacing for their relationship differs from that of other popular series, attributing this to the concise nature of "The Paper's" ten-episode seasons compared to longer formats.

Beyond his current project, Gleeson reminisced about his early career, including his first mention in Variety in 2006 for his performance in the play "The Lieutenant of Inishmore." He shared anecdotes from his time performing the play in London during college and later on Broadway, where he and his castmates received Tony nominations. A humorous detail from this period involved his reliance on secondhand suits for awards events, reflecting the financial realities of an emerging actor. His reflections provided a glimpse into his journey, from early theatrical successes to his current impactful role, highlighting a career built on dedication and genuine performance.

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